Thursday 27 February 2014
Wednesday 26 February 2014
Planning for second day of filming...
After accomplishing the shots i have filmed, there are still many shots i need to film, they include:
41)Mid shot pan of van driving42)Cantered still shot of steering wheel and window43)Mid Track shot of Protagonist walking with van approaching in the background, the van
comes to a stop and driver gets out and approaches Protagonist.
44)Low angle shot of weapon being held, with Protagonist featured in shot (S/M)45)Mid track shot of Antagonist striking Protagonist over the back of the head.
46)Still mid shot from side on of Antagonist dragging the Protagonist away (S/M)
47)Still mid shot from side on of Antagonist dragging the Protagonist into van (S/M)
48)Still Mid shot of back van door being swung shut, then the van driving off.49)Still shot of road being traveled down at night (S/U)
50)Still shot of road being traveled down at night (S/U)
51)Still shot of van driving up close to camera52)Side shot of van, featuring antagonist bringing the protagonist to the front (S/M)
53)Side shot of van, featuring antagonist bringing the protagonist to the front (S/M)
54)Low shot still shot, protagonist is brought in front of camera, put onto knees creating an eyeline match, then camera slowly zooms out, whilst antagonist is walking around behind protagonist. When shot is fully zoomed out... (S/M?)55)Slow fade to the same shot, but without van or characters there.56)Still shot of antagonist receiving text message57)New character walking (S/M).
As my video narrative has progressed to the time of night, most, if not all of these shots will have to be filmed in the dark. Most of the shots i need to capture involve the van, so i will have to plan when the van can be used for a lengthy amount of time. Instead of using a pan shot to show the van travelling, i may use several shots of the van travelling from different angles. To capture the shots of a road at night for the bridge of the song, i intend to cello-tape the camera to the dashboard facing forward, then film whilst the van travels at night, then upon editing, fast forward the footage to show that the van has traveled a long distance. The angles included for the shot of the antagonist approaching the protagonist will be crucial as it has to include both characters equally.
41)Mid shot pan of van driving42)Cantered still shot of steering wheel and window43)Mid Track shot of Protagonist walking with van approaching in the background, the van
comes to a stop and driver gets out and approaches Protagonist.
44)Low angle shot of weapon being held, with Protagonist featured in shot (S/M)45)Mid track shot of Antagonist striking Protagonist over the back of the head.
46)Still mid shot from side on of Antagonist dragging the Protagonist away (S/M)
47)Still mid shot from side on of Antagonist dragging the Protagonist into van (S/M)
48)Still Mid shot of back van door being swung shut, then the van driving off.49)Still shot of road being traveled down at night (S/U)
50)Still shot of road being traveled down at night (S/U)
51)Still shot of van driving up close to camera52)Side shot of van, featuring antagonist bringing the protagonist to the front (S/M)
53)Side shot of van, featuring antagonist bringing the protagonist to the front (S/M)
54)Low shot still shot, protagonist is brought in front of camera, put onto knees creating an eyeline match, then camera slowly zooms out, whilst antagonist is walking around behind protagonist. When shot is fully zoomed out... (S/M?)55)Slow fade to the same shot, but without van or characters there.56)Still shot of antagonist receiving text message57)New character walking (S/M).
As my video narrative has progressed to the time of night, most, if not all of these shots will have to be filmed in the dark. Most of the shots i need to capture involve the van, so i will have to plan when the van can be used for a lengthy amount of time. Instead of using a pan shot to show the van travelling, i may use several shots of the van travelling from different angles. To capture the shots of a road at night for the bridge of the song, i intend to cello-tape the camera to the dashboard facing forward, then film whilst the van travels at night, then upon editing, fast forward the footage to show that the van has traveled a long distance. The angles included for the shot of the antagonist approaching the protagonist will be crucial as it has to include both characters equally.
Examples of magazine advertisements
The Enemy - Be somebody album
Arctic Monkeys - AM album
Florence & the machine Lungs album
MY DIGIPAK:
All of these magazine ads, despite being different possess the same key qualities:
- They all feature the name of the release as the most bold statement
- They all feature the name of the artists
- They all feature the date of the release on the ad
- The two on the right include the name of singles featured within the album
- The ones on the sides state the format in which the tracks are available
- The record label is featured
- The enemy digipak features a review quotation
Therefore after analysing other magazine ads that are contained within the genre i am exploring, i will be sure to include the release date, name of song and artist, record label, the formats in which it will be available, all to ensure that i meet the expectations that my targeted audience have.
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